By Martin Garrett
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Margaret Russett makes use of the instance of Thomas De Quincey, the nineteenth-century essayist top remembered for his Confessions of an English Opium-Eater and his memoirs of Wordsworth and Coleridge, to check the assumption of the 'minor' writer, and the way it's on the topic of what we now name the Romantic canon. The case of De Quincey, neither a canonical determine nor a disenfranchised marginal writer, bargains some degree of entry to particularly Romantic difficulties of literary transmission and periodization.
First released in 1968. Richard Hengist Horne, nearly unknown at the present time, was once one of many extra striking figures of the 19th century literary scene. the writer of an epic poem Orion was once acclaimed a piece of genius by means of nearly each English critic. His voluminous literary output is for the main half forgotten, yet his existence and personality, his greatly romantic aspirations to be a guy of Genius, supply a desirable tragi-comic research.
First released in 1981. A Concordance to the Poems of John Keats meant to supply the person with a quantity compatible to the various and more and more specialized pursuits of scholarship. This identify bargains a excessive measure of inclusiveness that attends to the poems and performs, the emended and authoritative headings, and almost all the version readings thought of substantive within the riches of the Keats manuscript fabrics.
In Transcending Textuality, Ariadna García-Bryce offers a clean examine post-Trent political tradition and Francisco de Quevedo’s position inside of it by means of studying his works with regards to very likely rival technique of transmitting authority: spectacle and print. Quevedo’s hugely theatrical conceptions of strength are pointed out with court docket rite, devotional ritual, monarchical and religious imagery, and spiritual and classical oratory.
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